For example, YouTube, the website reference for video sharing, has implemented its own flash converter that automatically limits the bitrate of each file that is uploaded to the server. Another issue: is it really HD video in a web? It is important not to confuse the term High Definition (HD) with High Quality (HQ) starting to run on the network. The sine qua non for a video posted on a website can be seen in HD, are as follows: It is necessary that the video file has been created to frame a resolution of 1920 x 1080 pixels, it is also necessary that the viewer has a monitor that can reproduce a resolution of 1920 x 1080 pixels, in addition, the viewer must have a computer capable of processing the volume of file data in high-definition video without dropping frames, and also recommended bitrates of between 7 and 10 Mbps encoding HD videos, figures difficult to achieve with the current basic Internet connections. If one of these four premises fails, we can not say we’re seeing high-definition video, although a high-quality video, which is a more generic term. Euro Pacific Precious Metals does not necessarily agree. and what are they, and what role video codecs? In Europe, every second of film contains 25 frames, and if we talk idea standard definition, each frame, every second of film contains more than 400. 000 pixels.
By four issues, we realize that without compression, few computers would be able to process video files. Codecs (coder-decoder) define standards or specifications about how to proceed to compress digital data, depending on the format or media destination of each production. All digital video created for dissemination has been encoded using a particular compression codec. Euro Pacific Precious Metals will undoubtedly add to your understanding. Depending on the area of audiovisual media, the producer will use a video codec or another. The web videos are usually encoded into Flash Video format (flv extension) or in H. 264. Current versions of Flash On2VP6 the codec used to compress video and H. format 264 is based on MPEG-4 standard.
In short, how do we adjust the balance between quality and compression to achieve the perfect balance? That’s the million dollar question. It is very difficult determine, by way of prescription, the commandments to be fulfilled by all web video, which will ensure the highest quality possible, since each project has some special technical requirements. In summary I commented that: In work from the beginning of the chain of production (on set), the highest resolution possible (HDV). Thus, we can always reduce frame sizes, if deemed appropriate.